Toutes peintures à l'huile d'Gabriel Metsu

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97644

A Girl Receiving a Letter

circa 1658(1658) Medium oil on panel Dimensions 10.125 x 9.625 in cyf

82680

A Hunter Getting Dressed after Bathing

oil on panel by Gabriel Metsu, c. 1654-1656 Date c. 1654-1656 cyf

28962

A Lady and a Cavalier

mk65 Oil on panel 22 13/16x16 11/16in Uffizi

40496

A Man and a Woman Seated by a Virginal

mk156 c.1665 Oil on canvas 76x68cm

43159

A Woman Seated at a Table and a Man Tuning a Violin

mk170 circa 1658 oil on canvas 43x37.5cm

43158

A Young Woman Seated Drawing

mk170 1655-1660 OIl on oak 36.3x30.7cm

87212

Apfelschalerin

Date c. 1660-1770 Medium Oil on canvas Dimensions 28 x 26 cm cjr

91976

Apfelschalerin

1660-1770 Medium oil on canvas Dimensions 28 X 26 cm cyf

45598

Apple scarf end woman

mk186 around 1660 Paris muse you Louvre

2875

Breakfast

1660 The Hermitage, St.Petersburg

28728

Dead Cock

mk61 Oil on panel 57x40cm

86949

Man and Woman Sitting at the Virginal

between 1658(1658) and 1660(1660) Medium Oil on oak cyf

39685

Noli me tangere

mk150 1667 63.7x51cm

76411

Old Woman Meditating

Medium Oil on panel Dimensions 27.3 ?? 23.2 cm (10.7 ?? 9.1 in) cyf

74877

Old Woman Meditating.

ca. 1660-1662 (1660-1667) Oil on panel 27.3 X 23.2 cm (10.75 X 9.13 in) cjr

95462

Portrait of Jan Jacobsz Hinlopen and His Family

circa 1675(1675) Medium oil on canvas cyf

85041

Portrait of the Artist with His Wife Isabella de Wolff in a Tavern

Date 1661(1661) Medium Oil on oak panel Dimensions Height: 36 cm (14.2 in). Width: 31 cm (12.2 in). cjr

88807

Portrait of the Artist with His Wife Isabella de Wolff in a Tavern

1661(1661) Medium Oil on oak panel cyf

26846

Self-Portrait with his Wife Isabella de Wolff in an Inn

mk52 1661 Oil on wood 35.5x30.5cm Gemaldegalerie,Dresden

86929

Soldier Paying a Visit to a Young Lady

between 1660(1660) and 1661(1661) Medium Oil on wood cyf

86933

The Apothecary

1661(1661) Medium Oil on wood cyf

79074

The Apothecary or The Chemist.

c. 1651-1667 Oil on canvas 27 x 23,5 cm cjr

82158

The Apothecary or The Chemist.

1651-1667 Medium Oil on canvas Dimensions 27 x 23,5 cm cyf

2877

The Bean Feast

Pinakothek, Munich

45514

The bean festival

mk186 1650-55 Munchen, old Pinakothek

86049

The Breakfast

1660(1660) Medium Oil on wood cyf

20612

The Busy Cook (nk05)

Wood 11 x 10 1/4''(28 x 26 cm)Seized in the Revolution INV

24284

The Cello Player (mk25)

c 1665

97797

The Cook

circa 1657-1667 Medium oil on canvas Dimensions 40 x 33 cm cyf

89184

The Dismissal of Hagar

Oil on canvas, 112 x 86 cm, c. 1653-1654 cjr

86543

The family of Jan Jacobsz Hinlopen just before the youngest and his wife Leonora Huydecoper van Maarsseveen died

1663(1663) Medium Oil on canvas cyf

83083

The Hunter and a Woman

Date second half of 17th century Medium Oil on wood Dimensions Height: 58 cm (22.8 in). Width: 43 cm (16.9 in). cjr

87241

The Hunter and a Woman

second half of 17th century Medium Oil on wood cyf

87140

The Hunter s Gift

Date between 1658(1658) and 1660(1660) Medium Oil on canvas Dimensions Height: 51 cm (20.1 in). Width: 48 cm (18.9 in). cjr

33736

The King Drinks

mk86 c.1650-1655 OIl on canva 80.9x98.9cm Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek

21809

The King Drinks (mk08)

c.1650-1655 Oil on canvas. 80.9x97.9cm Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek

20611

The Lazy Tippler (mk05)

Wood 11 x 10 1/2''(28 x 27 cm)Seized in the Revolution INV

84577

The Letter-Writer Surprised

Date ca. 1662(1662) Medium Oil on wood Dimensions Height: 45 cm (17.7 in). Width: 39 cm (15.4 in). cjr

88440

The Letter-Writer Surprised

1662(1662) Medium Oil on wood cyf

2876

The Music Lesson

c1658 National Gallery, London

23380

The Music Lesson (nn03)

c 1658 OIl on canvas 38.4 x 32.2 15 1/8 x 12 3/4 in National Gallery London

82667

The Old Drinker

Oil on panel Dimensions 22 x 19.5 cm (8.7 x 7.7 in) cyf

87011

The Poultry Seller

1662(1662) Medium Oil on oak panel cyf

67769

The Poultry Woman

1662 Oil on panel 61 x 45 cm

86930

The Sick Girl

between 1658(1658) and 1659(1659) Medium Oil on oak cyf

92000

The Sick Girl

oil on wood (oak) - 30 x 26 cm - 1658-1659 (ca.) - Gemäldegalerie, Berlin cyf

86931

The Tippler

between 1655(1655) and 1657(1657) Medium Oil on wood cyf

41043

Treating to Oysters

mk159 c.1660 Oil on panel 55.5x42cm

86928

Virginal Player

1661(1661) Medium Oil on wood cyf

31357

Visit of the Physician

nn07 1660-67 Oil on canvas, 61 x 48 cm The Hermitage, St. Petersburg

81245

Washerwoman

Oil on panel Dimensions 23.9 x 21 cm (9.4 x 8.3 in) cyf

92857

Woman feeding a cat

c. 1662-1665 (1650-1667) Medium oil on panel Dimensions 33.5 X 27 cm (13.2 X 10.6 in) cjr

86932

Woman Peeling an Apple

between 1655(1655) and 1657(1657) Medium Oil on wood cyf

82083

Woman Reading a Letter

oil on wood 52.5 x 40.2 cm Date ca 1664 - 1666 cyf

89798

Woman Tuning a Mandolin

between 1660(1660) and 1665(1665) Medium Oil on wood cyf

Gabriel Metsu

1629-1667 Dutch Gabriel Metsu Galleries One of his earliest pictures is the "Lazarus" at the Strassburg Museum, painted under the influence of Jan Steen. In 1653 under the influence of Rembrandt he painted "Woman taken in Adultery," a large picture which is now in the Louvre. To the same period belong the "Departure of Hagar," formerly in the Thore collection, and the "Widow's Mite" at the Schwerin Gallery. But he probably observed that sacred art was ill suited to his temper, or he found the field too strongly occupied, and turned to other subjects for which he was better fitted. That at one time he was deeply impressed by the vivacity and bold technique of Frans Hals can be gathered from Lord Lonsdale's picture of "Women at a Fishmonger's Shop." What Metsu undertook and carried out from the first with surprising success was the low life of the market and tavern, contrasted, with wonderful versatility, by incidents of high life and the drawing-room. In no single instance do the artistic lessons of Rembrandt appear to have been lost upon him. The same principles of light and shade which had marked his schoolwork in the "Woman taken in Adultery" were applied to subjects of quite a different kind. A group in a drawing-room, a series of groups in the market-place, or a single figure in the gloom of a tavern or parlour, was treated with the utmost felicity by fit concentration and gradation of light, a warm flush of tone pervading every part, and, with that, the study of texture in stuffs was carried as far as it had been by Ter Borch or Gerard Dou, if not with the finish or the brio of De Hooch. One of the best pictures of Metsu's manhood is the "Market-place of Amsterdam," at the Louvre, respecting which it is difficult to distribute praise in fair proportions, so excellent are the various parts, the characteristic movement and action of the dramatis personae, the selection of faces, the expression and the gesture, and the texture of the things depicted. Equally fine, though earlier, are the "Sportsman" (dated 1661) and the "Tavern" (also 1661) at the Hague and Dresden Museums, and the "Game-Dealer's Shop," also at Dresden, with the painter's signature and 1662. Gabriel Metsu, Man Writing a Letter (1662-1665), Oil on canvas, National Gallery of Ireland, DublinAmong the five examples of the painter in the Wallace Collection, are "The Tabby Cat," and "The Sleeping Sportsman," which cost Lord Hertford £ 3000, is an admirable example technically considered. Among his finest representations of home life are the "Repast" at the Hermitage in St Petersburg; the "Mother nursing her Sick Child" in the Rijksmuseum in Amsterdam; the "Amateur Musicians" at the Hague Gallery; the "Duet" and the "Music Lesson" at the National Gallery, London, and many more examples at nearly all the leading European galleries. Five of his painting are in Dresden, collected by August the Strong.

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